The solo voices make the upper keyboard notes stand out. These tabs are good to depress when you are playing the climax of the piece of music, or a main solo. Then as a piece of music progresses you can start adding the white DIAPASION tabs in the upper manual, and even the yellow STRINGS, and if you notice in the lower row of tabs to the left of PERCUSSION tabs ( which I'll explain below) are SOLO tabs for HORN and Wah, etc. This will be a nice foundation sound for playing theater type music. So start by playing with just the white, red, and yellow (if yel avail) tabs in the lower 8' and 4', and for the upper full keyboard use the FLUTE (TIBIA) 16',8',and 2'. This is because it is the FLUTE which is the most fundamental organ sound on the electronic organ. If you notice the upper full keyboard has more FLUTE (TIBIA) tabs than the lower. Which to play through the Leslie speaker the BLUE TABS on the left next to each keyboard must be depressed ( turned on). So usually you don't want much FLUTE in the lower manual if you have FLUTE (TIBIA) if you are playing FLUTE in the upper manual. ![]() That is, mix the voices for the most convincing portrayal of a melody and it's accompaniment. The main thing about organ playing is learning how to properly ( for the most tasteful playing anyway) REGISTER the organ. Here is a blog I wrote about the 625/630 Wurlitzer organs, as I played mine a lot! The organ is pretty easy to learn the features intuitively really.
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